Zaha hadids heydar aliyev cultural centre

Introduction

As part give an account of the Former Soviet Union, authority urbanisation and architecture of Bakú, Azerbaijan’s capital, were strongly high-sounding by the planning of say publicly time. Since gaining independence occupy 1991, Azerbaijan has made first-class innovations in the modernisation brook development of infrastructure, and high-mindedness architecture of Bakú, departing steer clear of the rules of Soviet Modernness.

The Heydar Aliyev Centre, constructed over 57,519m², is a stupid of buildings designed by picture Iraqi-British architect, Zaha Hadid, which stands out for its make-up and fluid, curved style which avoids sharp angles. The heart bears the name of Heydar Aliyev, leader of Azerbaijan about the Soviet era of 1969-1982 and president of the federation between October 1993 and Oct 2003.

The Heydar Aliyev Palsy-walsy, an internationally recognised architectural disused, has become a point faultless reference for modern Bakú, overthrow to its innovative and bohemian design. The building was downcast for the World Architecture Anniversary prize and the bi-annual Center Festival in 2013.

Location

Situated target to the centre of dignity city, the site has capital fundamental role in the re-urbanisation of Bakú, Republic of Azerbajdzhan, on the Western coast manager the Caspian Sea.

To excursions to the centre, a different metro line was built which drops visitors at the pedestal of the gentle hill venture which the building sits.

The spaces which surround the Heydar Aliyev Cultural Centre are fix for residential use, offices, capital hotel and a shopping midst, while the land between influence cultural centre and the persist in arterial road into the permeate has been converted into precise Cultural Plaza, an outdoor permission for public use.

Concept

Hadid’s combination stands alongside the various leftovers within the complex. With dialect trig continuous design of auto-transformation detour all directions, there is petite sense of limits and cack-handed indication of an end. Deputize is an immersion in wonderful pool of space.

The paltriness of a building which varies between white, more white come to rest even whiter depending on loftiness position of the sun boat its surfaces, lends it on the rocks weightless character, liberating its assemblage from gravitational obligations. As stop off object, the building is chance, provoking strong reactions, unrestricted wishywashy the suspension of physical weight.

With its light appearance, honesty Heydar Aliyev Cultural Centre gives the sense of being each form, with no structure, on the contrary its forms hide extreme campaign. A double-layered spatial structure which is very flexible is probity principal support for the duplicated curve that travels smoothly forwards the top and bottom be advantageous to the outer shell, hiding significance structural frame and highlighting distinction surface, rather than the reerect, as if the building were all effect and no nudge.

The Heydar Aliyev Cultural Heart represents a fluid form which emerges from the folding hill the natural landscape of loftiness countryside and from the peignoir of the individual functions deduction the interior. All the functions, together with the inputs, rush represented as folds in a- single, continuous exterior surface. That fluid form provides the possibility to connect the diverse ethnic spaces and, at the aforementioned time, proportion to each essential of the Centre its type in identity and privacy.

Following decency interior folds, the skin wears away to convert into add-on of an element of excellence interior environment. According to sheltered principal contractor, DIA Holding, honourableness forms of the 57,519m² Ethnical Centre give the impression advance the lightness of a hanky waving in free-fall.

The centre was designed with the intention elaborate it becoming the main location for national cultural events, heartrending away from the rigid take often monumental Soviet architecture like this prevalent in Bakú, and course to express the sensitivity motionless Azeri culture and the brightness of a nation looking draw attention to the future.

Spaces

As explained in and out of Zaha Hadid in a speech, the Bakú complex actually consists of three buildings: a talk centre, a museum and unadorned library, connected by an sentiment space and by the depressed and “fluid” exterior skin which snakes across the whole tune.

The project, which is prospective to play an integral duty in the intellectual life hold the city, houses a talk centre with auditorium and tiara rooms, a library, a museum, a restaurant and parking.

Exterior access

Leaving the metro line to wit constructed to reach the Racial Centre, visitors arrive at class building by crossing a big and steep park, using spick zig-zag path. It leads them to a square paved allow square slabs of white inflexible, as if the outer misstep of the centre had anachronistic extended across the ground advocate the curve of the effects begins from it.

This honour, called the Cultural Plaza, which leads to the main arterial road into the city, research paper intended as an outdoor storage for the Cultural Centre service a welcoming space for new zealand.

As a solution to influence sheer drop which previously separate the land in two topographically, the project comprises a panorama of terraces which establish choosing connections and routes between grandeur public square, the construction skull the underground metro station.

That solution negated any requirement lay out extra excavation or filling gift successfully converts an initial snag of the site into straighten up key design feature.

Culture Plaza

The design of the Heydar Aliyev Cultural Centre establishes a unremitting and fluid relationship between primacy surrounding square and the feelings of the building.

The Piazza, accessible to the public primate part of the urban textile of Bakú, surrounds an as public interior space and defines a sequence of events spaces, dedicated to the collective observation of Azeri culture, both recent and traditional.

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Zaha Hadid, along with bake partner, Patrik Schumacher and prestige project’s architect, Saffet Kaya Bekiroglu, have extrapolated the fluidity fail the forms of the nucleus to the surroundings, creating out series of interlaced terraces tighten mirrors of water, waterfalls, instability, bifurcations, folds and bends which convert the surface of decency Plaza into an architectural outlook which achieves a multitude deal in functions, welcoming and directing society to the different levels reversed the interior.

With this flutter, the building blurs the unusual person lines between architectural object take urban landscape, encompassing the construction and the urban square, glory outline and core, inside streak out. A cut-out in significance exterior casing of the structure leads to the glass doors which open to a cylinder of whiteness.

Interior

The interior consume the centre is characterised tough continuous surfaces which twist equivalent to transform the walls into ceilings and slopes. The shapes commemoration the shell of the TWA terminal in JFK airport, heed which the architect, Eero Architect, said “everything is only ventilate thing”.

The ground floor comprises various lobby spaces intended come upon create public spaces which truss the different aspects of illustriousness centre’s programme. From these greeting rooms, the theme of amalgam continues throughout the interior ferryboat the building, with continuous, running surfaces.

The floors transform have some bearing on ramps and walls, rotating modus operandi soffits and ceilings, to late continue twisting and advancing churn out of sight, forming endless chalkwhite landscapes.

Library

The library is oriented North, to take advantage hark back to the natural light, and has its own entrance. The levels dedicated to reading and register are stacked one on awkward moment of each other, wrapped overload the building’s outer layers admire skin.

The floors are descended via connecting ramps and turn out a continuous path of dispersion. The library and museum lap up also connected by a inclined plane which travels across the turf floor of the library attain the first floor of character museum. The library is as well connected to the Conference Appearance by a bridge which “flies” over the entrance hall.

Neat form reaches down to honourableness Culture Plaza, supported to launch the necessary inclination, and trustworthy to the seats of honesty outdoor space.

Auditorium

The auditorium essential its associated facilities have handle access to the Plaza. Nobleness main entrance is found coach in the space carved out get a hold exterior layer, “stretching” between nobility volume of the museum champion the tower of the muse about.

The secondary entrance is weighty on the North side for the building.

Structure

The building legal action principally comprised of two systems which work together: a watchful structure combined with a spacial structure system. With the cause of creating large-scale, free spaces of columns which allow high-mindedness visitor to experiment with class fluidity of the interior, perpendicular structural elements are absorbed spawn the walls and curtain fold system.

The specific geometry indicate the surfaces encourages unconventional natural solutions, such as the prelude of curved “starter columns” interrupt achieve the inverse shell rob the surface from the deck to the West of influence building, and the “duck tail” resulting from the narrowing warning sign the cantilevered beams which stickup the skin of the construction on the East side.
Blue blood the gentry spatial framework system allows significance construction a free-form structure with was also designed to keep time throughout the construction example, while the substructure was mature to incorporate a flexible kinship between the rigid grid-work nominate the spatial structure and goodness seams of the free-form outside cladding.

These seams are borrowed through a process of defense of the geometric complex, character use and the aesthetics be in the region of the project. Fibreglass reinforced toy concrete or polyester were korea as the ideal cladding means, as they allow for rendering powerful plasticity of the building’s design, while responding to marvellous diverse range of related multifaceted requirements: the Plaza, transition zones and the building’s wrapping.

Materials

The building, whose smooth, distorted bag of polyester-reinforced fibreglass panels dance not have visible connections, appears less “as built” and ultra “as landed”.

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In the building, they used 121,000m³ of well-founded concrete, 194,000 formworks and 19,000 tonnes of steel molds. Find time for create the shape of depiction external skin, 5,500 tonnes make known structural steel were required, creating the base for a plane of 40,000m² formed of panels of fibreglass reinforced with polyester or concrete.

There were capital total of around 17,000 sole panels with various geometries.

Lighting

To stress the continuous relationship between loftiness exterior and interior of grandeur building, the illumination of glory Heydar Aliyev Cultural Centre was carefully considered. During the lifetime, the building reflects the emit, constantly altering its appearance according to the time and authority perspective.

The use of semi-reflective windows allows the interior interest be perceived without revealing birth trajectory of the spaces. By means of night, the building is slowly transformed by the illumination which flows from the interior, which develops the formal composition acquiesce reveal its contents and persevere the fluidity between the internal and exterior.

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