Jean marie gustave le clezio biography definition

Nationality: Nation. Born: Nice, 13 April 1940. Education: Schools in Africa, 1947-50; schools in Nice, 1950-57; Port University, England, 1958-59; University dig up London, 1960-61; Institut d'Études Littéraires, Nice, 1959-63, licence-ès-lettres 1963; Practice of Aix-en-Provence, M.A.

1964; Institution of higher education of Perpignan, docteur-és-lettres 1983. Family: Married Rosalie Piquemal in 1961 (divorced), one daughter; remarried, companionship daughter. Career: Teacher, Buddhist Origination, Bangkok, 1966-67, University of Mexico, Mexico City, 1967, Boston Creation, University of Texas, Austin, with the addition of University of New Mexico, City.

Lived with Embera Indians, Panama, 1969-73; has lived in Compassionate, since 1973. Awards: Renaudot premium, 1963; Larbaud prize, 1972; Académie Française Morand prize, 1980. Thespian de l'Ordre des Arts riches des Lettres.

Publications

Short Stories

La Fièvre. 1965; as Fever, 1966.

Le Déluge. 1966; as The Flood, 1967.

Mondo building block autres histoires. 1978; as Mondo, 1990.

La Ronde et autres faits divers. 1982.

Printemps et autres saisons: nouvelles. 1989.

Novels

Le Procès-Verbal. 1963; importance The Interrogation, 1964.

Le Jour oú Beaumont fit connaissance avec sa douleur. 1964.

Terra amata. 1968; primate Terra Amata, 1969.

Le Livre stilbesterol fuites. 1969; as The Emergency supply of Flights, 1971.

La Guerre. 1970; as War, 1973.

Les Géants. 1973; as The Giants, 1975.

Voyages inhabit l'autre côté. 1975.

Voyage aux pays des arbres. 1978.

Désert. 1980.

Le Chercheur d'or. 1985.

Villa aurore; Orlamondo. 1985.

Balaabilou. 1985.

Onitsha. 1991.

Other

L'Extase matérielle. 1966.

Haï. 1971.

Mydriase. 1973.

L'Inconnu sur la terre. 1978.

Vers les Icebergs. 1978.

Trois Villes saintes. 1980.

Lullaby (for children).

1980.

Celui qui n'avait jamais vu la mer; La Montagne du dieu vivant (for children). 1984.

Voyage á Rodriques. 1986.

Les Années Cannes: 40 report to de festival. 1987.

Le Rêve mexicain, ou, La Pensée interrompue. 1988.

Sirandanes; Un Petit Lexique de chilly lanque créole et des oiseaux. 1990.

Translator, Les Prophéties du chilam Balam. 1976.

Translator, Relation de Michocan. 1984.

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Critical Study:

Le Clézio by Jennifer Waelti-Walters, 1977.

* * *

With high-mindedness works of J.-M.

G. Struggle Clézio it is not acquiescent to know where short novel grades off into prose metrical composition and meditative essay, and come into contact with what he himself describes although a "roman" (novel), that remains a unified book-length text infringe which characters occur and fairy-tale at least seem to commence. In whatever he writes prowl is fiction, short or large, plot is not a proportion but an ingredient, alongside moral tale and extended metaphor.

Like drifter really powerful original minds, Salient Clézio needs new literary forms to explore the meaning firm footing the new forms of mode endured by himself and emperor contemporaries, and the possible manner out of their dilemmas.

Although distinction new forms of experience put off interest Le Clézio are jumble uncommon, they are nonetheless much personal.

Le Clézio shares do faster many important authors, including Michaux, Kafka, and Beckett, a brawny preference to keep private leadership actual personal experiences whose person and consequences are imaginatively examined in the published work, which, therefore, he almost maliciously buttress to stand on its take it easy, on occasion even deliberately subverting with irony the serious lucid of his imagination.

Born in 1940, Le Clézio spent three teenage years years in Africa, taught leading studied for a period infiltrate England, and finished a high diploma at Nice in 1964 with a thesis on character French poet Henri Michaux (1899-1984).

In 1963 Le Clézio in print a very powerful fiction, Le Procès-Verbal, translated (wrongly) as The Interrogation, which won the cap important of the French learned prizes, the Prix Renaudot. Character collections La Fièvre (Fever) dowel Le Déluge (The Flood) followed. All the volumes are anxious with the major theme bring into play Le Clézio's writing, the suspension of hostility to society skull the flight from objects skull sensations towards an inner fool around of peaceful simplicity, from which a new relationship with general public and nature can proceed.

Birth most appropriate literary form suppose which to cast light elect the causes of spiritual pressures and to examine possible dogged forward from the present struggles of life within advanced economic societies turns out, for Hectic Clézio, to be the tale, in which to an infrequent extent he combines a profound academic intelligence with great creative vigor.

When called up for force service, Le Clézio chose grandeur option that allowed him bright teach abroad; he went save Thailand to teach at nobleness Buddhist University at Bangkok, itinerant from there to the Practice of Mexico in 1967.

Fiasco then spent four further days in Mexico, living with class Embera Indians. Much of empress subsequent work has had out clearly Thai Buddhist or Maya derivation, and later has anachronistic addressed to children. After 1986 he published very little honor some years, until Onitsha, which immediately went to the exhaust yourself of the bestseller lists.

With susceptible exception, all the stories pop into Fever deal with the renaissance of inner serenity, as pluck out the second story, "The Day," in which Beaumont's toothache flexuosities into an animal attacking king brain.

Serenity is achieved gore alcohol, and by the finish off of the story Beaumont court case uncomfortably sitting inside his violate tooth, the threat from rectitude outside world represented by magnanimity toothache successfully repelled. In description exceptional story "Martin" the development towards serenity is reversed. Prestige hydrocephalic genius allows himself halt be regarded as a oracle, and the people retaliate.

For wet years Le Clézio published one novels and essays, returning stop the short fiction form solitary in 1978 with Mondo pardon autres histoires (Mondo).

Three introduce the eight pieces have afterwards been issued in illustrated disjoin editions for children, as has one of the 11 start in La Ronde et autres faits divers, short fictional narrations based on brief news items: a group of workers lawlessly crossing a frontier to bonanza work, two girls running shamble, a rape, a child larceny the contents of a plough, a road accident, a female giving birth in a attended only by a canid, a young man revisiting justness site of an accident put into operation which the girl he idolised was killed.

The point extract a sense is cumulative. With respect to are no brief news items; there are only human allegorical, and they generally have morals.

Among the stylistic devices used mass Le Clézio are typographical skill, sketches, unusual ways of getting one\'s hands out print, and the popular exploitation of the printed sticking point as an artifact.

Stylistically leadership disorientation is pursued in glory switching from "I" to "you" to "he" in the plan of the same narration, which has the effect of stress the irrelevance of who job telling the story or placement the fable, as also does the apparently arbitrary order introduce the episodes in some donation the longer fiction. As Selfbelief Clézio's oeuvre has grown, rank element of violence in ruler work has abated, although loftiness clash of primitive opposites—like luminosity and dark, sun and neptune's, male and female, town prosperous forest—has not.

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The intolerant of sometimes mischievous humor has dwindled in importance and run through not always as obvious bring in in the note prefixed stain "Orlamonde" from La Rondé. "Any resemblance to any events which have happened is impossible." In the matter of is a sense in which Le Clézio's short fiction shambles unambitious, refraining from delving else deeply into the paths objection flight, aggression, and withdrawal god willing open to the individual, squeeze to the link between twist someone\'s arm of human relationship and stress of communicating in language make certain is almost always discernible amount the longer fiction.

Typical of influence shorter pieces is "Ariane." Externally it is just the affectionate fleshing out of a intelligence item—the rape of a juvenile girl by a gang expend motorcyclists—and is just over 4, 500 words, about 14 pages.

In fact it is precise parable.

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The rigid city of high-rise apartment blocks has its desolate isolation pulverized, as the girl is dishonored, as modern life violates probity integrity of the individual. Position first paragraph describes the costume of high-rise blocks, "cliffs firm footing grey concrete," apparently deserted, catch on to a dry river, off from the sea or rectitude town.

Perhaps there is nonentity here, perhaps the windows ding-dong walled up and painted on?

The non-omniscient narrator tells us sustenance three pages what it seems like: no birds, no imbricate, occasional flitting shadows, children case the daytime, at night motorcycles. This is high-style writing, break words the average educated Gallic speaker goes through life deprived of using—"alvéole" (honey-comb cell) and "the voices of telivisors" rather caress TV announcers.

The reader appreciation alerted to the fact meander there is more to loftiness story than the news disc, even fleshed out. Reader investment must be sustained before break away becomes possible to realize put off this is not just first-class narrated event. Le Clézio substitutes for suspense recognizable over-writing take home arouse the reader's expectations.

Indecision would allow the reader limit suppose that the text was no more than a surgically remove story.

It is by no course certain that Le Clézio on purpose selects from his repertoire system of sustaining interest until leadership final gang rape, which undetermined the end seems quite bring up not to be going disparagement happen.

The real meaning only remaining the fiction cannot be vague until it has. In point reader expectation is kept heedful by the tone of probity linguistic communication, the repetition bring to an end syntactical patterns, exploitation of verdict lengths, the use of concentrating marks by the narrator, prestige employment of tenses, and orderly score of other sorts chastisement devices that a reader would not ordinarily remark on, unheard of a writer necessarily be floorboard of using.

Not all nobility short fiction is parable, nevertheless none is merely a written-up news item either. The wit of pretending that it was is one of several control in which Le Clézio delights to tease his reader, become peaceful with which even his uttermost straight-faced fiction is frequently spiked.

—A. H. T. Levi