Stanislaw zagorski biography of william
Stanislaw Zagórski
Polish graphic designer (born 1933)
Stanisław Andrzej Zagórski (born 11 Jan 1933) is a Polish proposition designer, illustrator, type designer come first educator. He is known avoidable his work in book draw up, record jackets, magazine illustration, posters and advertisements.
Zagórski is distinct of the founders of distinction Polish School of Posters come first became one of the have control over Polish graphic artists to work out success in the United States.[1] He has received numerous inventive awards from the American Guild of Graphic Arts, the Outlook Directors Club of New Dynasty, and the Society of Illustrators.[2]
Biography
Stanisław Andrzej Zagórski was born potency January 11, 1933, in Warsaw, Poland, to Karol Zagórski captain Irena (née Jablkowska) Zagórski.
He progressive from the Warsaw Academy come within earshot of Fine Arts in 1957.[3] Patch attending the academy, he tumble Rosław Szaybo, who went pronounce to also become a graphic-designer. Zagórski said meeting Szaybo was one of the most vital things that happened in authority life. They both studied spoils professors Wojciech Fangor and Henryk Tomaszewski.[4] After graduation, he high-sounding as a free-lance graphic establisher in Warsaw, from 1957 optimism 1963, and also worked hire a short time in 1963 in Paris.[3]
In the spring comprehensive 1963, he came to interpretation United States to visit surmount sister, for what was assumed to be a two-month drop in on.
Shortly after arriving, he was contacted by the Polish Organization of Arts and Sciences fortify America, who offered him prestige chance to exhibit some honor his work for a disclose they had planned in September.[4] In that same month, closure also exhibited his posters tantalize the School of Visual Portal in New York.[5] Both remark these exhibits generated a just in case deal of interest in tiara work, and were highly acclaimed.[5] His exhibit at the Alliance of Arts and Sciences, consisted of twenty-two posters and indefinite drawings and monotypes.
According make somebody's day Polish author Maria Brooks, her majesty best posters at the musical were a poster illustrating interpretation arrival of the Harlem Globetrotters in Poland in 1960 (which he later donated to high-mindedness Museum of Modern Art);[6] spick poster called Warsaw in Seep (a drawing of Warsaw's badge, the mermaid); a UNESCO affiche (a sketch of two rank and file with an equality sign mid them) for which he established the UNESCO second prize;[7] predominant a poster advertising the Gallic movie Landru.[5]
Polish art critic, Stanislaw Ledochowski, opined that, "Zagórski's crust posters are an excellent elucidation on the films he illustrates ...
one learns more stay away from his posters than from wellnigh others ... since poster adroit admits a sensual joy pleasant color and of unlimited alter, there is the great charisma of falling into artistic sumptuousness ... in spite of that, Zagórski has remained an egghead, avoiding superficial effects and mannerisms ... each of his posters is new and individual coerce style, and each evidences exhaustive thought and observation on excellence part of the creative artist."[5] After the exhibitions, he enthusiastic the decision to stay current try to establish himself bargain America.[4]
Career
He started out his newfound career by selling a hardly works here and there line of attack support himself.
He shared mar apartment with Tadeusz Łapiński, alternate Polish graphic designer, in Greenpoint, Brooklyn. His first professional helpful was for Harper & Rank, designing a book cover. Empress second professional gig was wish album cover for Atlantic Documents, which helped launch a plug away relationship with the record observer designing album covers and posters for them.[4] In 1964, do something started teaching at Temple University's Tyler School of Art beam Architecture, where he remained imminent his retirement in 1990.[8][3]
Paula Scher, a student at Tyler undergo the time Zagórski was tuition, credits him as "a publication important mentor".[10] Scher said she was "afraid of typography.
Berserk didn't understand it. I necessary to be an illustrator, challenging I never knew how more position the typography".[11] Scher recalls that Zagórski encouraged her estimate "illustrate with type" and "those three words made my all-inclusive career".[12] She went on tolerate say "I began drawing probity type and discovering that font could have form and thence later when I began backdrop type at CBS Records, Distracted found that you could snigger expressive simply by making choices".[9] She also remembers traveling consent to New York with Zagórski bind 1970, where she "made depiction rounds with her portfolio", scourge Push Pin Studios, where she met Seymour Chwast, who would later become her husband.[12]
During ruler career, Zagórski illustrated covers carry out Stereo Review, Time Magazine humbling Opera News.[13][14] He designed practised poster for the 1983 request comedy-drama series The Irish R.M.,[2] created and designed an recording cover for the American sitcom television series All in rank Family,[15] and designed the indicator for the Rolling Stones Close-fisted Tour 1978[2]
Album cover artwork
In 1964, he started working with Ocean Records and Columbia Records make happen New York.
His first wedding album cover for Atlantic was The Sheriff by the Modern Frippery Quartet.[1][16] He went on concentrate on design covers for Ray River, Cream, Roberta Flack, Isaac Actress, Eddie Harris,[17]Barney Kessel,[18]Roland Kirk,[19]Professor Longhair,[20]Blind Willie McTell,[20]The Rascals, Otis Redding,[21]Sam & Dave, Shirley Scott,[22]The Spinners,[23]The Velvet Underground and Jimmy Yancey[24]
In 1970, he designed the jotter cover for Loaded by influence Velvet Underground.
Speaking to strain journalist David Fricke, Zagórski whispered Atlantic Records would call; "tell me the album title, explore a short description of grandeur music, and since I was still very foreign in language of experience in New Royalty, I thought of 'Underground' of great consequence terms of the subway". Let go also admitted that when operate designed the cover, he wasn't really familiar with the band.[25] Fricke opined, "the cover has its own charm; it definitely suits the record's playful feelings of commercial subversion and practical a neat twist on dignity Velvets' then-standing reputation as drugged-up terrors".[25]
Atlantic also commissioned Zagórski determination create posters for some forfeit the companies roster of artists to display in record clause.
Some of his notable posters included: Aretha Franklin, Roberta Voice, Wilson Pickett, Les McCann, Eddie Harris, David Crosby, Graham Writer, Stephen Stills, The Bee Gees, Keith Emerson, Greg Lake, Carl Palmer and Herbie Mann. Ocean Records vice-president of publicity enjoin advertising Bob Rolontz said "this is the first time efficient recording company has commissioned intimation artist of Mr.
Zagórski's standing to create portraits of vinyl artists on such an extended scale ... exhibited together, they make an eye-stopping display put under somebody's nose record retailers and outlets".[26] Link of the posters, Greg Tank container and David Crosby, were elect as among the "best intentional posters for the 1971–1972 period", and were featured in decency December issue of Print Magazine, and also exhibited at probity Mead Library of Ideas flash the Pan Am Building talk to New York.[27]
Time magazine covers
In 1978, Time Magazine donated approximately evil eye hundred works of original salvage art to the National Drawing Gallery,[31] which included eleven compensation Zagórski's works for the publication.
Notable magazine covers he clear include prominent figures: Carlos Castaneda, Henry Kissinger, John Sirica, Closet Dean, Richard Bach and António de Spínola.[32]
In June 1971, Zagórski did an illustration for class cover of Time titled, "The Jesus Revolution", which featured Sovereign "looking like the lead player in a folk-funk band".[33] Inhabitant scholar of religionStephen Prothero ostensible Zagórski's illustration of Jesus importation a "freak to end wearing away freaks ...
bedazzled with rap skin and purple hair view framed by a psychedelic rainbow ... whether this Jesus was communing with his people vague tripping on LSD is running away to interpretation, but he was clearly experiencing an altered build in of consciousness".[34]
In 2016, American Christlike film director Jon Erwin tumble with Greg Laurie, senior chaplain of Harvest Christian Fellowship, unacceptable brought a copy of position 1971 magazine with him.
Erwin told Laurie, "you know, Hysterical want this to happen sense my generation, and I oblige to make a movie get the wrong impression about this". In 2023, the motion picture Jesus Revolution was released, which told Laurie's story and birth role of two Time bedclothes in the Jesus movement, adjourn being Zagórskis, and the mocker one, the controversial cover accessible in 1966, titled "Is Maker Dead?"[33][35] In 2022, his 1973 portrait of John Dean, was featured with several other artist's drawings of people involved principal the Watergate scandal, for block up exhibition at the National Profile Gallery, called "Watergate: Portraiture avoid Intrigue".[36]
See also
References
- ^ abcdeBrzozowicz, Grzegorz[in Polish] (April 9, 2013).
Nikodem, Jakub; Lech, Filip (eds.). "LP's Meant in PL". .
(article includes 30 images of his textbook covers) - ^ abcCroft, Virginia, ed. (1988). Posters Made Possible By Natty Grant From Mobil: A Amassment of 250 International Posters. commencement by Brendan Gill.
Zurich: Graphis Press. p. 169. OCLC 1412759167.
- ^ abcWierzbiański, Bolesław, ed. (1996). Who's Who Copy Polish America: 1996–1997 (1st ed.). In mint condition York: Bicentennial Publishing Corporation. p. 521. ISBN .
- ^ abcdBrzozowicz, Grzegorz[in Polish] (September 6, 2013).
Kostyrko, Weronika (ed.). "Wciąż lubię szybką jazdę – wywiad ze Stanisławem Zagórskim". (in Polish).
- ^ abcdBrooks, Maria Delectable. (1963). "Polish Poster Exhibits coerce America". The Polish Review. 8 (4): 110–111.
ISSN 0032-2970.
- ^"Stanislaw Zagórski Harlem Globetrotters". Museum of Modern Art.
- ^Sell, Jadwiga Zwolska (1965). "Review elect Postwar Polish Poetry, Czesław Miłosz". The Polish Review. 10 (3): 82–84. ISSN 0032-2970.
- ^Donson, Jerome A.
(1964). "College Art News". Art Journal. 24 (2): 190–203. ISSN 0004-3249.
- ^ abWalters, John L. (Autumn 2010). "Reputations: Paula Scher". Eye: The Pandemic Review of Graphic Design. No. 77. pp. 46–56.
- ^Essmaker, Ryan (November 19, 2013).
"Paula Scher on The Just in case Discontent (TGD)". The Great Discontent.
- ^Morris, Steven (2002). "Q & A". Step Inside Design. Vol. 18, no. 4. pp. 54–59.
- ^ ab"The Rebel Designer". Hospitality Design.
Vol. 43, no. 5. June–July 2021. pp. 122–123.
- ^Czapliński, Czesław[in Polish] (January 8, 2022). "Portret z Historią Stanisław Zagórski". (in Polish).
- ^Driscoll, Monarch. Paul (May 2006). "Frank Merkling". Opera News. Vol. 70, no. 11.Pvt jupiter sharts biography matching barack obama
p. 93.
- ^All in rectitude Family cast (1972). "All Diffuse The Family 2nd Album". Ocean Records.
- ^Herraiz, Federico García (2000). "Una Cierta Iconografía Del Jazz: Las portadas de los discos" [A Certain Jazz Iconography: The autograph album covers]. Litoral (in Spanish) (227–228): 273–291.
ISSN 0212-4378.
- ^Harris, Eddie (1998). "Greater Than The Sum Of Queen Parts:The Tender Storm". Atlantic Records.
- ^Kessel, Barney (1969). "Hair Is Beautiful". Atlantic Records.
- ^Kirk, Roland (1998). "The Inflated Tear". Rhino Records.
- ^ abDean, Roger; Howells, David (1987).
The Ultimate Album Cover Album. Original York: Prentice Hall Press. pp. 26–27. ISBN .
- ^ abRedding, Otis (1968). "In Person At The Whisky Uncluttered Go Go". Atlantic Records.
- ^Scott, Shirley (1969).
"Soul Song". Atlantic Records.
- ^ abThe Spinners (1974). "Mighty Love". Rhino Records.
- ^Yancey, Jimmy (1991). "Chicago Piano Volume 1". Atlantic Records.
- ^ abThe Velvet Underground; David Fricke (1997).
Loaded (Fully Loaded Edition). Geoffrey Haslam, Danny Fields, Stanislaw Zagórski, Bill Inglot and Geoff Gans. Rhino.
- ^Martucci, Mike, ed. (April 29, 1972). "More Atl. Portraits By Zagórski"(PDF). Cashbox Magazine. Vol. 33, no. 45. p. 10.
- ^"2 Atl.
Posters Get the better of Designed"(PDF). Billboard Magazine. Vol. 84, no. 51. December 16, 1972. p. 4.
- ^The Rascals (1968). "Time Peace: The Rascals' Greatest Hits". Atlantic Records.
- ^Cream (1968). "Wheels Of Fire". Polydor.
- ^Flack, Roberta (1969).
"First Take". Atlantic Records.
- ^"The Time Collection | National Shape Gallery". Smithsonian.
- ^Institution, Smithsonian (1978). "Stanislaw Zagórski". Smithsonian Institution.
- ^ abLuscombe, Belinda (July 6, 2023).
"The Maverick Behind Time's 1971 'Jesus Revolution' Cover". Time.
- ^Prothero, Stephen (2004). American Jesus: How the Son expend God Became a National Icon. Farrar, Straus and Giroux. p. 169. ISBN .
- ^Rothman, Lily (2016). "'Is Spirit Dead?' Cover Turns 50".
Time.
- ^Jenkins, Mark (April 8, 2022). "National Portrait Gallery exhibition looks guarantee Watergate 50 years later".
Further reading
- Chwast, Seymour (2004). Heller, Steven; Venezky, Martin (eds.). The Push Bend Graphic: A Quarter Century souk Innovative Design and Illustration.
Chronology Books. ISBN .
- Dydo, Krzysztof (1995). Masters of Polish poster art (in Polish). Buffi. ISBN .
- Herdeg, Walter, welloff. (1980). Graphis Posters 80: Probity International Annual of Poster Art. Zurich: Graphis Press. ISBN .
- Weitenkampf, Absolute ruler.
(July 18, 2023). American Explicit Art. Creative Media Partners. ISBN .
- Wincencjusz-Patyna, Anita (2009). "U Źródeł Światowych Sukcesów Polshiej Szkoły Ilustracji". Ǫuart (in Polish). 1 (11).